Wednesday, September 7, 2011

What's keeping me busy.

So what's on the to-do list? Typesetting FANG 4, design work on SoFurry and that iPad app, editing and uploading the videos from my Description and Dialogue panels from Eurofurence, balancing 2K photos from the Serbian Wedding, investigating whether I need to re-license stories from FANG and ROAR before they can be released as ebooks. Oh yes, and Heathen City 4 needs writing, a job I've been putting off for a year because, when I start it, that's going to eat up another year of my life...

So of course I'm thinking of starting a podcast. Skip's boyfriend Bun suggested the title *Alex Vance Demands Your Attention* and I love it. It would be an interview show, run over Skype, with every episode featuring a pair of guests related to a particular theme. "Publishers Demand Your Attention", "Voice Actors Demand Your Attention", that sort of thing.

I just can't for the life of me figure out when I'd be able to actually do it. I'm blessed with enough local friends that we have guests in the house four or five nights of the week and I'm already on a sleep schedule that averages 5.5 hours a night.

What to do, what to do?

Tuesday, September 6, 2011

Screw.

Gotcha :)

Photo

Squeeze.

Disconnected.

Image

The photos from the Serbian Wedding

And here are the fruits of my labor. Time to sleep now, I think.

Full set available here.

Zzzzz....

Monday, September 5, 2011

A Serbian Wedding: Photography, the iPad and the Endless Polka

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If I had any secret dreams of switching careers to professional wedding photography, I have now been cured of them. My god that's hard work. Constant vigilance, trying to catch those magical little moments before they happen so you've got a few seconds to fiddle with your controls, steady your aim, reposition yourself for a good frame and snap.

A Serbian friend from work invited me to her wedding and bemoaned the fact that photographers are so expensive. I mentioned I'd been getting into photography lately and that I therefore understood what a costly business it could be, how unpredictable, and she interrupted me to ask if I'd be willing to shoot some pictures at the wedding. I of course agreed, partly because I'm rather fond of her (despite the fact that I call her The Thieving Gypsy and Miss Titsma on occasion) but mostly because I was keen for the exercise. 
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Another friend of hers was already going to be photographing the event, so I would be what's called the 'second shooter'. Having read many blogs and articles on the subject I knew what would be expected of me: to stay out of the primary photographer's field of view as much as possible; to anticipate which events could use both of us and where it would be better for me to find different subjects, to either increase coverage or variety. We both had limited kit in order to stay light on our feet and coordinated what we'd bring and where we'd shoot. The very best laid plans!

The Primary Photog, being a logntime friend of the the Thieving Gypsy, and additionally a girl, would spend the morning with the bride and her maids. I was asked to hang out with the groom and his men and shoot some of his prep. Now, I'd hoped for a sort of The Hangover situation where there would be ample camaraderie, but the groom's posse consisted only of his cousin, so I felt more than a little out of place. Especially when we got in the car and picked up another cousin, a frizzy-haired giant of a man. Sat in the back, wedged between large, vigorous Former Yugoslavians, I felt utterly insignificant in the universe. 
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Arriving at the Darling Couple's home, the true life of the party kicked in. The house was packed with family members, clustered in the living room or the balcony. The maids and ladies of the clan sneaking into the bedroom to admire the Bride, while the men clustered around the accordionist and argued with each other over which song they'd bully him into playing next. The Bride appeared to a thunderstorm of applause and a monsoon of sloppy kisses and was immediately dragged into a rather vigorous circle hora, a circle dance that threatened to trample into dust anyone not participating.
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Then it was off to the ceremony. Here we benefited most from the fact that the Groom is a professional cameraman; he herded us briskly up to the ceremony room and had the guests remain outside, giving us a few very valuable minutes to inspect the light, available perches, and work out a strategy. Given the limited freedom of movement once everyone was seated, the primary photographer, videographer and I hammered out a game plan, where I'd move back and forth along one side of the room and crouch behind the chairs as much as possible to stay out of view and capture little candids here and there.  
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It was an exercise in discretion and stealth; crouching like a soldier or paparazzo to hide behind chairs so I wouldn't appear on the primary photographer's photos, shuffling back and forth to get a few interesting angles, all without distracting the guests or registrar.

Wonderful ceremony, though. Nice and short, with an apparently excellent speech given by a cousin who looked like Elvis and forgot to translate into English after a few minutes, so I have no idea what he said. The guests and couple seemed to love it, though.
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 They said their vows, exchanged their rings, signed the registry and were man and wife. In addition to the witnesses, two of the kids were invited to sign as child witnesses as well. These siblings, a boy and a girl, both blonde and bilingual, were natural born stars; there wasn't one picture on any of my cards where they didn't look stunning. The girl would later confide in me that she didn't actually have a signature and just made one up, writing her name with a few flourishes through it, and gave me a stern look when I asked her if she drew a little heart too. Obviously I don't know how to talk to celebrities. 

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Now, I hadn't been given an itinerary so I was caught by surprise when the very next thing was the proper wedding photos. The Groom had already chosen a pair of locations, but I was underprepared and I feel that the collaboration with the primary photographer didn't work out to our adavantage here. It was 2 PM on the brightest, hottest day we've had all summer; notoriously difficult light to shoot in. My exposures came out significantly better than the primary's, partly because I was shooting RAW, but since I was focusing on being a good second shooter I stayed out of her way and didn't distract the couple. Result: my exposures came out pretty good, but I have almost no shots of the couple looking at the camera, let alone smiling.
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Off we went to the reception. The groom sent us up ahead to the reception venue so we could capture the couple's arrival, but it was in a small street with lots of parked cars and construction equipment and the family soon filed out to populate the street so densely I got almost no usable coverage. And even if I had, it wouldn't have been romantic to see the Darling Couple shuffling along corrugated iron plates, trying to dodge the fenced-off construction pit on the left and the overflowing skip on the right.

Here I was exposed to some Balkan traditions: first the bride and groom were given big shot glasses of home-made peach brandy (this stuff was so potent that you'd inhale it more than drink it, as it would evaporate before reaching your tongue) after which the Bride had to lift up a newborn baby and, I believe, rub it over her face. Supposedly for fertility. Strange folk, those Serbians. 
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The food was delicious, but slow to come. At one point another Balkan tradition came to pass: each table was given a hunk of (deicious) home-made bread and it would be passed from guest to guest, each breaking off a chunk. In my childhood I spent enough time with the Indonesian side of my heritage that this sharing of food and eating with your hands felt very familiar, and despite the massive language barriers there was a tremendous sense of unity and fraternity.

Thus began what would turn out to be twelve hours of non-stop polka. Polka ballads, polka rock, polka techno... On my way home I would still have the accordion ringing in my ears, it was so pervasive. What was impressive, though, was that everyone seemed to know the words to most of the songs -- old and young alike. I come from somewhat musical families myself, on both the Irish and Indonesian sides, and each have a few songs that the whole clan was raised on (the first and second verse of "Hit the Road, Jack" and "The Boxer" on the Indonesian side; "The Sash My Father Wore" and "Holy Mary I Am Dying" on the Irish side) but those are fairly small in number. I was impressed at the liveliness of Serbian culture across the ages, though of course I had no way of knowing whether the youngsters were versed in the classic folk music, or the oldsters were down with the hip new Serbo-pop. 
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All the while, I'd been dealing with logistics manfully. I had underestimate how much I'd shoot and how much of that coverage would be worth keeping, so I used whatever downtime I had to swap lenses, import the photos from my two 8GB cards and charge my single camera battery. Thanks to Photosmith I was able to get a head-start on rating and organizing the photos I'd shot, so at the reception I was able to pass the iPad around and show the best pictures of the ceremony to those who hadn't attended it. And by that time I'd already eliminated the photos that didn't nail the frame or the focus, or which didn't speak of the joy and beauty of the day, so all they could see was warmth and mirth.

And before the evening was over, I already had about a hundred photos spanning the entire day that were good enough to be shared with the Darling Couple while they waited on te properly processed finals. That made the hard work of the day very gratifying. I could show the results and delight the interested guests at any time, and all the gear fit in a single shoulder-slung satchel that didn't make me look like a total dweeb. 
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Speaking of which, I do think I looked rather dashing. I'd originally thought of dressing light casual, as I'd be doing a lot of running around as photographer. At the last moment I realized that during the ceremony I'd be behind the couple, in full view of the guests, so I had no choice but to dress to the nines. Gold tie, crisp white shirt, charcoal tartan waistcoat. Respect the vest.

It was a wonderful day. Best weather we've had all year, immersion in a warm and alien, yet familiar culture, and a wonderful opportunity to put some of the skills I've been learning to the test. I came into photography backwards, already an advanced digital image editor due to my background in publisher. Consequently, when I'm shooting I'm thinking more abuot giving myself enough creative room to produce a good image in post, only gradually learning to more quickly evaluate a scene with the old-fashioned Mark-1 Eyeball. I think I managed quite well -- all the photos in this post are straight out of the camer, without cropping or grading.  
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I had a wonderful time at the wedding and I'm tremendously grateful I could spend the day with the Darling Couple and their family.

Serbians know how to party!

Tuesday, August 30, 2011

Stormy Schiphol - first attempt at a stitched panorama

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The sky was rather dramatic today, so on the way home I went up to the roof terrace of Schiphol Airport to shoot some shots for a stitched panorama.
Because the sky seemed so stormy I made sure to increase the vertical coverage on the sides, and when I ran all the shots through Photoshop its magical algorithms produced the effect I'd hoped for: the world seems to undulate, like waves on a stormy sea.
The blocky building in the middle is fully straight, though unfortunately there were some stitching errors in the windows on the left side that I just couldn't find a way to fix. Still, I'm quite pleased with it for a first effort!

Wacom Inkling: this looks like an artist's dream come true.

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Thursday, August 25, 2011

Ikea names for Colson.

Full-length video of my Voice Acting Workshop at #EF17

At EF 2011 in Magdeburg, the third of three panels I held was on the topic of Voice Acting.

We started off with a quick presentation on vocal technique, mic technique, posture and performance, then invited some volunteers to try their hand at performing a short script written for the occasion.

I had the pleasure of being accompanied by Shay, whom I'd invited as Special Guest. He was still reeling from the rather successful premiere of Bitter Lake the previous night, which I'm sure contributed to the fact that the panel was standing room only.

At the end of the panel, Shay and I took some rather excellent questions from the audience and to finish it off, did our own run-through of the script.

Thanks to all who came!

Wednesday, August 24, 2011

Saturday, August 13, 2011

Tuesday, August 9, 2011

Alto Sample Text Hilarity

Via a rant against the font Gill Sans I found myself pointed in the direction of an alternative, Alto. Its website automatically generates blocks of text to evaluate the font in practical use, which I suppose should be better than the familiar Lorem Ipsum nonsense.
 
Here's what you might see if you hit refresh on the Alto page:
 
It is our mission to chew the gay rights as part of a larger strategy to dramatically embrace our grey haired second hand cars in order to the intensive perfect joke professionally hug the weeping progress.
Absolutely wrong Jerry Springer adepts innovate cutting-edge hairdryers so that hopefully we may expertly innovate a viking.
 
Or:
 
It is our goal to maximize the weeping aquatic ballet to permit us to vigorously maximize a moron and make intensive beavers professionally turn upside-down cutting-edge grey haired seaguls.
Liquid super waldorf salads turn upside-down the extensible apple pie as the first step in our scheme to successfully smash a typeface.
 
Or maybe:
 
Our mission is to expertly enhance itching mind blowing priests so that we may successfully chew our grey haired hitchers and have the hitchers enhance the weeping hand luggage.
The outdated mobile home aggregate a grey haired Big Brother as part of a larger strategy to vigorously flip our super straycats.
 
I can't stop hitting refresh.
 
https://ourtype.com/#/try/alto/
 
- Alex

Monday, August 8, 2011

Snapshots at the airport.

Just some quick observations at Schiphol Airport, the hub of my daily commuting grind.

Jeff Beck, Eric Clapton, Jimmy Page, Brian May and Queen Elisabeth II

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Her Maj had just entered her twenties when these young whippersnappers were born. I wonder if she appreciated their contribution to the English music scene at the height of their power, being that she was approaching middle age by then.

One of people in this photo is also an astrophicist, having completed their PHD as a sexagenarian. Can you guess which one?

awesome people hanging out together: Neil Gaiman and Alan Moore.

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'Awesome people hanging out together' is one of my favorite blogs, and this is why.

http://awesomepeoplehangingouttogether.tumblr.com/

Lady knows how to accessorize. #morningcommute

Asian gent has got his shit together today. #morningcommute

Don't you wish you could go to work feeling that awesome about yourself?

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Sunday, August 7, 2011

Black lab doggie feels really, really special getting scritchies on the train.

IMG_0177.MOV Watch on Posterous

I love how he showed off and looked around to check whether we all saw how special he was :)

Wednesday, August 3, 2011

A damn fine ad for a damn fine app, made by an Enigmatic Stranger whose identity will not be disclosed, certainly not BY ME.

A lot of people have mentioned that we need a video to help explain the idea. What’s the point in having a great app if no one really knows what it does?

So… to that end, we’re now releasing the first of several videos. We plan to have a few videos showing off the different concepts, so that it’s more than just words and pretty pictures.

Photosmith for iPad.

Pretty cool ad, wouldn't you say?

Whoever made that must be very smart and attractive. You should probably buy him a drink sometime.

Also a damn useful app for the iPad-toting photographer. Just sayin'.

Thursday, July 21, 2011

First Presidential Debate on Twitter is absolutely batshit fucking LOCO

TeamBachmann Michele Bachmann (Follow)
.@140townhall TY for this forum.  I'm running 4 POTUS 2 bring the voice of the people back to DC.  That voice requires fundamental changes.

Now guys, you know me a bit. You know I'm crazy about the Twits, Tubes, Faces and Google Plii. So you'd think I'd be all for American politicians embracing the interwotsits and engaging via a new, vibrant medium in the first presidential debate via Twitter some six hours ago.

Ignore that it's a Tea Party thing. Ignore, even, the prevailing tired diatribe of righteous outrage at Big Government / debt ceiling / degrading American values / unemployment / piranhas / chemtrails.

(disclosure: I have not read the entire stream and do not know for sure if 'debt ceiling' was mentioned, but I stand by my statement nonetheless).

Ignore all that.

Imagine these are smart, rational people honestly and sincerely presenting the ideas they feel are the best for the people of their country. Now imagine them sitting in chair on a stage facing an audience. and imagine that this 140townhall.com bullshit is a transcript of that event.

Listen, with your mind's ear, to how empty and hollow their overly short, acronymized sentences are, how they neither acknowledge nor respond to one another, how they talk over each other when some need to say several sentences in a row. Every word serving one or two purposes: self-glorification or blaming someone for something.

I honestly couldn't even make it a quarter down the page; in my head I heard them chattering in studious discord, in complete ignorance of one another, each vapidly addressing the audience directly resulting in something that can only be described as a demented cacophony of utter bollocks.

Which, I guess, brings us back to the Tea Party...

- Alex F. Vance

Brilliant ad from Buenos Aires Zoo, circa 2007: "The Kangaroos Have Arrived" (thanks, @tanidareal!)

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There's also one with an Orang Utan, but apes just give me the heebie jeebies.

Attorney busted for stuffing iPhone down gal pal's throat.

Brian Anscomb, 37, force-fed the gizmo to his 23-year-old gal pal in their York Avenue apartment early Saturday, bruising and cutting her mouth, court papers say.

The whole patent litigation scene around software in general and lately Apple in particular seems to have driven a patent attorney to insanity.

Wednesday, July 20, 2011

The Tay Bridge Disaster by William McGonagall: the terrificness of the terrible.

But when the train came near to Wormit Bay,
Boreas he did loud and angry bray,
And shook the central girders of the Bridge of Tay
On the last Sabbath day of 1879,
Which will be remember'd for a very long time.

The son of a weaver, William McGonagall is remembered these days (by far too few) as one of Britain's worst poets. Even during his lifetime he was engaged to give readings of his work for audiences who delighted in his terrible poetry the way sci-fi nerds make a game of The Eye of Argon.

And yes, his poems are terrible. Some only grudgingly rhyme (even in his Dundee accent), all are bereft of linguistic sophistication, and on those occasions where he's moved to actually try his hand at metaphor or at least non-literal imagery the result is a plodding disaster. Universally, his poems' meter defies human scansion.

But I plumb love this guy.

Just as the terrible opera singer Florence Foster Jenkins, whose absolute lack of musical facility, sensitivity to tone, breath control or emotive delivery couldn't deter her from renting concert halls and selling tickets to very select groups of friends, McGonagall just wouldn't quit. And the literary world is just a little richer thanks to his tenacity.

As a struggling weaver of 52, with a snapper for a daughter to make life just a little more inconvenient, he discovered himself to be a poet.

"seemed to feel a strange kind of feeling stealing over [him], and remained so for about five minutes. A flame, as Lord Byron said, seemed to kindle up [his] entire frame, along with a strong desire to write poetry."

Until his death just after the turn of the 20th century (in his birthplace near Edinburgh, rather than Dundee where he'd spent his life) he was mocked, disparaged, rejected and sometimes rather cruelly pranked. He sought his fortune first in London and then New York, returning from both with empty pockets, but his chin held high.

The pinnacle of his career as a poet came when he hired out his services to a local circus, where he earned fifteen shillings a night for reading his terrible poetry while the audience were permitted to throw food at him. And this suited him fine. When the local magistrates shut down these disorderly events he wrote a public protest (of course, in verse) and this more than anything illustrates why I love this old coot.

He was indomitable.

Any writer who plucks up the courage to share their work or submit it for publication faces the very real risk of rejection. We're gradually hardened against it, but every fresh "no" chips away just a tiny little bit on our confidence.

And then here there is William McGonagall, who was genuinely terrible, and received gentle rejections, cease-and-dissist missives, open mockery and utter rage from publishers and audience alike, and he simply never quit.

Maybe his worldview was a bit skewed. Modern students of his work suspect he may have had Asperger's Syndrome. Who's to say.

Not only did he take rejections in stride, he apparently read them with rose-tinted glasses (with an anti-glare coating made of concentrated optimism). He wrote to Queen Victoria, hoping to secure her patronage, and was tremendously encouraged by the rejection letter he received from a functionary because he took "Thank you for your interest" as a great compliment to his talents. When an obviously fake letter from representatives of King Thibaw Min of Burma told him that he had been knighted in absentia he took it at face value and proclaimed himself a Sir from then until his death in penury.

Very, very few of us can hope to suffer such persistent insults to our talents, such frequent requests for us to please, please stop writing. Sure, we may not ever be satisfied with the size or the responsiveness of our audience, and we may water down our whiskey with manly tears when we receive another "thanks, but no" letter from a publisher.

"Sir William Topaz McGonagall, Knight of the White Elephant, Burmah", a weaver's son and a Dundee boy, should be an example to us all: if you believe in yourself, honestly and sincerely, then you'll live and die proud and happy -- and the world's barbs be damned.

- Alex.

Full text of the Tay Bridge Disaster here: http://www.taynet.co.uk/users/mcgon/disaster.htm

Selected bibliography here: http://www.taynet.co.uk/users/mcgon/